Something new will dominate Madalena’s attention (Jessica Ellen) us next chapters of Come back on top. The girl will see the video in which her father talks about the lottery ticket he bet on, she will be amazed by it and will decide to go after that ticket. With the investigation, she will be able to discover Osmar’s greatest shame (Milhem Cortaz): the fact that he stole his own family’s money.

The situation will begin to unfold for Jéssica Ellen’s character from this Tuesday’s episode (29) of seven o’clock soap opera from Globo. Edson (Ailton Graça) will show Jão (Fabrício Boliveira) the last video made of Lindomar (MV Bill), in which he showed his boss that he entered the lottery with the same number as his company registration number.

Jão will forward this video to Doralice (Tereza Seiblitz) and Madalena. The widow will be very emotional when she sees her husband again. Jéssica Ellen’s character will notice the issue of her father’s bet.

She will become curious and begin an intense search for the whereabouts of her father’s lottery ticket. After searching the house and finding nothing, Madalena will decide to look for Osmar, to check if he knows anything.

The protagonist will confront her uncle at Violeta’s (Isabel Teixeira) house, in scenes scheduled to air from Wednesday’s chapter (30). Osmar will tremble with fear that his niece will discover that he took all the money that Lindomar earned — something that he himself feels very ashamed of.

To keep his secret safe, the trickster will give Jayme more money (Juliano Cazarré), with the intention that the friend will continue lying about his newly acquired fortune and maintain the charade for Jão and Madá.

The girl will even fall for her uncle’s chat, but Jão will be smarter. Neuza’s son (Valdineia Soriano) will soon suspect that Osmar stole the ticket and all of Lindomar’s prize.

Also read -> Summary of next chapters from the soap opera Volta por Cima.

Volta por Cima is written by Claudia Souto, with the collaboration of Wendell Bendelack, Julia Laks, Isadora Wilkinson and Juliana Peres. The artistic direction is by André Câmara, and the general direction by Caetano Caruso.

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